In addition, the fact that Márquez is a feminist environmentalist means that her influence can bring radical change to art that is produced in Latin America, given that land rights and women’s rights are themes with which artists often work throughout the American continent. For example, David Racero, recently elected by the Historic Pact as president of the House of Representatives, introduced bills in July that develop menstrual rights and regulate the military position of transgender people.
It seems that with regard to representation Márquez is the continuation of singer-songwriter and Grammy award winner Susana Baca, who in 2011 became Minister of Culture in Ollanta Humala’s government in Peru, and of winner of three Grammys, singer and former Minister of Brazil, Gilberto Gil. Although Francia does not have these kinds of awards to her name, she has received recognition as Defender of the Year, a National Award for the defense of human rights in Colombia in 2015, and on April 23, 2018, she was awarded the Goldman Environmental Prize, known as the “Environmental Nobel”, for her defense of the territory and its traditional and cultural practices against illegal mining. And that same year the BBC News network published The BBC’s 100 women of 2019, a list in which the 100 most influential and inspiring women from around the world were named for the following year, and Francia Márquez was one of them. Additionally, in 2019 she won the Joan Alsina Human Rights Award, for her steadfast commitment to the defense of the environment and community rights.
“After 214 years we have achieved a government of the people, a popular government. The government of the people, of calloused hands, the government of ordinary people, the government of the nobodies of Colombia” is one of the excerpts from her first speech as Vice President, on June 19, 2022. And she also made it clear that together with the President she will work to “reconciliate the nation” and was emphatic about mentioning that this will be the government “of peace and unity” based on the rights of mother earth, the pacha mama or “the big house”.
Willher Pino Córdoba is a 30-year-old gender diverse, Black man who is sensitive to the arts from Quibdó, Chocó, Colombia. A leader and activist for the rights of LGBTIQP+ communities, a member of the MAREIA Foundation, where he was trained in antiracist and Afrocentric decolonial thought and practice and works as facilitator, workshop coordinator of gender spaces and new masculinities and co-manager of the Wontanara Afro-cultural House.
Translation: Sara Hanaburgh