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Galatea
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12 November 2024 - 25 January 2025
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SESC Catanduva
Catanduva, Brazil
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Casa Silvana
Huamaco, Puerto Rico
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San Antonio, United States
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Samaná, Dominican Republic
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Fortes D’Aloia & Gabriel e Quadra
Rio de Janeiro, Brazil
26 October 2024 - 28 December 2024
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CCBB
São Paulo, Brazil
01 November 2024 - 30 November 2024
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Nhe’ẽ Porã: Memória e Transformação
Centro Cultural Vale Maranhão
São Luís, Brazil
10 August 2024 - 22 November 2024
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SESC São José dos Campos
São José dos Campos, Brazil
12 September 2024 - 20 June 2025
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IMS Paulista
São Paulo, Brazil
02 November 2024 - 03 November 2024
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Kunstverein Kevin Space
Vienna, Austria
06 September 2024 - 02 November 2024
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The Divine Cypher
Le Safran
Amiens, France
18 November 2024 - 18 November 2024
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C&
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Grada Kilomba: Opera to a Black Venus
The first comprehensive institutional solo exhibition in Germany of Grada Kilomba nterrogates concepts of violence and repetition.
C&
C&
Visite du studio
Anaïs Cheleux : Relier l’identité caribéenne par la photographie et la performance
Marny Garcia Mommertz rend visite à Anaïs Cheleux dans son studio en Guadeloupe pour discuter du sirop de canne à sucre et de la Dak’art.
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An invitation to our extended community to join and support us!
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Opinion
Five Things You Need to Know About the John Randle Center Before It Opens
C& author Obidike Okafor shares what to expect from the new architectural marvel in Nigeria’s art capital.
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On Racism
Every Straw Is a Straw Too Much
Bonaventure Soh Bejeng Ndikung on the psychological burden of being racialized while doing art.
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#weavingnetworks
Thoughts on Collective Archives
Four collectives discuss perspectives on collective publishing and archiving.
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Caribe
Performance
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. . . and the African perspectives
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Inventing Your Own Game
Maren Hassinger: “We Are Not Alive To Make Money”
Will Furtado speaks to Maren Hassinger about protesting against lack of inclusion, the conditions for Black artists today, and more.
In Conversation with the Colectivo Moriviví, Puerto Rico
“Art Is a Way to Fight Back”
The Puerto Rican artist collective fights historical erasure by painting the walls of local communities. A conversation about collaboration, community and censorship.
Afro-Indigenous
Afro-Indigenous Memory in the Work of Maria Lira Marques
An essay on the works of Brazilian artist Maria Lira Marques, ancestral memories, and the impact of globalization on traditional communities.
Echoes of the South Atlantic
Der Black Atlantic – Subject of (Counter)Memory
The project “Der Black Atlantic” (2004) apresentou Berlim
News
Announcement of Second Women Photographers International Archive (WOPHA) Congress
A creative convening and exhibition series taking place across South Florida.
A “Road to the Sea” in Cali and Buenaventura
Memory and Amnesia in the Colombian Pacific
The project fostered dialogues between art, political action and the defense of the territory of Afro-Colombian peoples.
In Conversation with Gê Viana
Confronting the Traumas of Colonization
The Brazilian artist speaks about her indigenous and black roots as trademarks of her work permeated with different languages.
Two Biennials – Two countries
Dakar and Havana
Despite their political differences, Cuba and Senegal established new programs and institutions dedicated to the arts.
Video Art
From Experimentation to Video Art in FM Gustave Giresse’s Work
Since FM Gustave Giresse has discovered the medium of video, there have been no limitations in his explorations with the camera.
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Arte Público
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Quebec, Canada
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São Paulo, Brazil
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Museo de Arte Contemporáneo
Convocatoria proyectos 2026
Santiago de Chile, Chile
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Museo de Arte Contemporáneo de la Universidad de Chile
oídoMedio / Rincón de Escucha
Santiago de Chile, Chile
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