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The Current IV: El Caribe
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01 January 2023 - 31 December 2025
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03 October 2024 - 09 February 2025
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Escaping the tyranny of meaning
Mariane Ibrahim
Chicago, United States
30 August 2024 - 26 October 2024
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Los sueños de la luz / Les rêves de la lumière
Mariane Ibrahim
Ciudad de Mexico, Mexico
21 September 2024 - 18 January 2025
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The Long Run
Mariane Ibrahim
Paris, France
06 June 2024 - 28 September 2024
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“The Ocean is the Axis” (El océano es el eje)
Mariane Ibrahim
Ciudad de Mexico, Mexico
01 June 2024 - 14 September 2024
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ERRANCE
Diasporâs
Paris, France
02 October 2024 - 14 October 2024
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Gestures of The Unseen
Tern Gallery
Nassau, Bahamas
05 September 2024 - 19 October 2024
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Lia D Castro: em todo e nenhum lugar
MASP
São Paulo, Brazil
05 July 2024 - 17 November 2024
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35a Bienal de São Paulo – coreografías de lo imposible: Itinerancia La Paz, Bolivia
Museo Nacional de Arte
La Paz, Bolivia, Plurinational State of
16 August 2024 - 20 October 2024
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35th Bienal de São Paulo – choreographies of the impossible: Itinerância Luanda, Angola
Instituto Guimarães Rosa
Luanda, Angola
20 September 2024 - 08 December 2024
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The Current IV: El Caribe
TBA21 Academy
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01 January 2023 - 31 December 2025
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Food, Art & Activism: Nourishing Ourselves and Each Other
M.Bassy
Hamburg, Germany
15 September 2024 - 10 November 2024
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Grada Kilomba: Opera to a Black Venus
The first comprehensive institutional solo exhibition in Germany of Grada Kilomba nterrogates concepts of violence and repetition.
C&
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Visite du studio
Anaïs Cheleux : Relier l’identité caribéenne par la photographie et la performance
Marny Garcia Mommertz rend visite à Anaïs Cheleux dans son studio en Guadeloupe pour discuter du sirop de canne à sucre et de la Dak’art.
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C& Launches Patreon Membership
An invitation to our extended community to join and support us!
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Opinion
Five Things You Need to Know About the John Randle Center Before It Opens
C& author Obidike Okafor shares what to expect from the new architectural marvel in Nigeria’s art capital.
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On Racism
Every Straw Is a Straw Too Much
Bonaventure Soh Bejeng Ndikung on the psychological burden of being racialized while doing art.
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#weavingnetworks
Thoughts on Collective Archives
Four collectives discuss perspectives on collective publishing and archiving.
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Between Afro-Cuban and Diasporic Frames
Displacements in Exhibitions’ Discourses
Afro-Cuban arts narrative from Wifredo Lam to José Bedia and the use of African diasporic concepts within the global art world.
Crisis in the Arts
Museu Afro Brasil Faces Funding Shortage
Threat of closure reveals financial fragility of renowned space for Afro-Brazilian culture.
Installation View
11th Berlin Biennale: KW Institute for Contemporary Art
Images of this year's Berlin Biennale in the KW in Berlin-Mitte.
History Lesson
Cheikh Anta Diop
Senegalese cultural theorist committed himself to a life-long project of decolonizing the African humanities.
Indigenous Culture
The Return of the Tupinambá Cloak: Restitution and Internal Colonialism
The historic return of Tupinambá cloak to Brazil highlights constant struggle against colonialism and for restitution.
Transatlantic Connections
Latin-American and African art scenes
The Argentinian curator Gabriela Salgado talks about the South-to-South connections in the context of international art.
Akosua Adoma Owusu: Welcome to the Jungle
Beauty and Power in Black Hair Culture
Interweaving different narratives, Akosua Adoma Owusu’s solo exhibition portrays the complexities of Black life.
An Island Within an Island
Haitians in Cuba – “Two Homelands, One Blood”
Filmmaker Esery Mondesir discusses his new documentary “Una Sola Sangre”, about Haitian communities in Cuba.
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Ministerio de Educación y Cultura
Bienal de Arquitectura 2025: Proyectos Uruguayos
, Uruguay
Workshops
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Lugar, corpo e pessoa numa perspectiva afro-centrada
online, Brazil
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OBOE Journal
Call for papers: Visual Art Biennials on the African Continent
, Worldwide
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Burnaway
2025 Mood Ring Open Call
Online, United States
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