With the idea of “Estalo” (“Snap”) as its central concept, the exhibition is scheduled to open on March 27, 2025, and will be spread across 18 different spaces in Porto Alegre.
biarritzzz. Press Photo
The Mercosul Biennial Foundation announced the list of artists and cultural spaces that will host the exhibition next year.
The main objective of the exhibition’s curatorial concept is to deal with the notion of transformation. In the blink of an eye and in a brief fragment of time, our bodies and nature, for example, undergo transformations of varying magnitudes. From the metamorphoses that silently emerge in our organisms to sudden and noisy movements – living is synonymous with never being in a stable and safe place. For 66 days, the biennial will spread throughout the city, bringing together works by 76 artists from different regions of the world, believing in exchanges between different social contexts and artistic languages to approach the diversity of experiences between art and life.
Over two years of work, the artistic team led by chief curator Raphael Fonseca, in addition to adjunct curators Tiago Sant’Ana and Yina Jimenez Suriel and assistant curator Fernanda Medeiros, designed a program of exhibitions and activities that bring to the city of Porto Alegre a great diversity of works, interests and world views suggested by the artists gathered. These artistic projects reflect their geographic and cultural contexts in a field ranging from an interest in abstraction to more documentary projects. This zigzag of different artistic poetics interests this edition of the Biennial.
The 14th Mercosul Biennial aims to reach a larger and more diverse audience – investing in bringing art closer to local and global audiences. This fact is also evident in the list of artists, which has a considerable presence of representatives from Latin America and Asia. Of the 76 artists that make up the exhibition, around 65% are international artists, and most of the works are commissioned.
In addition to being present in institutions that have been a regular part of the Biennial’s history, such as Farol Santander, the Museu de Arte do Rio Grande do Sul (MARGS), and Usina do Gasômetro, this edition is characterized by being present in other regions of the city, such as the Lomba do Pinheiro and Restinga neighborhoods, in the Estação Cidadania units, and also, for the first time, at Cinemateca Capitólio, Pop Center, Museu do Hip Hop and Fundação Vera Chaves Barcellos, in Viamão. In this way, the event is believed to expand and form a new audience in the Greater Porto Alegre region.
Raphael Fonseca reiterates the Biennial’s vocation to establish connections with different geographies: “Porto Alegre and the state of Rio Grande do Sul are multicultural spaces with many layers of cultural and historical complexity. It is fair that an edition of the Mercosul Biennial can also, within the limits of any major event dedicated to the visual arts, reflect this diversity and contribute to a greater knowledge of such interesting artists by a broad audience,” says the chief curator.
Bonikta, Kurumins do rio, 2021. Press Photo
Education, Public Programs, and Publications
In addition to its exhibition dimension, the Mercosul Biennial stands out for its educational curation, which aims to bring the main exhibition closer to diverse audiences. The educational program will unfold in activities such as seminars, discussion groups, training courses for teachers and mediators, and the production of educational material that will include texts and images by educators and researchers. With this, the Biennial aims to be a space not only for aesthetic enjoyment but also for training and meaningful exchanges. The educational curation, signed by Andréa Hygino and Michele Zgiet, is based on concepts such as the wheel and the “gira” (“spin”) as practices of community formation. These strategies form the backbone of a project that establishes the Biennial as a time space for learning and reflection, radiating knowledge in the field of art education while expanding a more in-depth and accessible art experience for all audiences.
Another new feature of the 14th Mercosul Biennial is the curation of Public Programs by Anna Mattos and Marina Feldens. Activities will activate different cultural centers, museums, and public spaces in Porto Alegre through lectures, events, film screenings, parties, field trips, workshops, and more. The objective of the Biennial’s Public Programs is to make the show resonate beyond the exhibitions, proposing a constant “biennial state” whose construction takes place through the experience of the public.
In addition to these activities, the 14th Mercosul Biennial is organizing two publications conceived from a perspective transversal to the curatorial proposal. The first of these will be launched at the exhibition’s opening, and the aim is to bring reflections that relate to the conceptual approaches of the 14th Biennial to the conversation, paying particular attention to discussions about the perceptive system of the human species. It will consist of essays and literary texts commissioned by authors such as the writer José Falero from Rio Grande do Sul, the neuroscientist Andrea Gomez, the quantum computer scientist Iordanis Kerenidis, the writer Karim Kattan and the artist and DJ Hannah Katherine Jones. The catalog is the second publication, to be released at the end of the Biennial. Conceived as a visual essay, this publication will be not only a memory of the exhibition project, educational program, and public programs but also a record of the evolution of the discussions that accompanied its conception. The publications are free. Both will also be available in digital format on the Mercosul Biennial website.
The visual identity of this edition was created by Estúdio Margem, based in São Paulo. Using colors present in the spectrum of light refraction and a mix of fonts from different periods in the history of typography, the Studio proposes an immersion in vibrant and saturated colors that give a freshness to the Biennial’s brand. Meanwhile, the Biennale’s architectural thinking and exhibition design are signed by Juliana Godoy, who continues her interest in suggesting a spatial unity and visual narrative even with a project of this magnitude that deals with spaces so different from each other.
Poster of the Mercosul Biennial. Press Photo
In the blink of an eye and in a brief fragment of time, our bodies and nature, for example, undergo transformations of varying magnitudes.
Venues where the 14th Mercosul Biennial will take place
Cinemateca Capitólio Casa de Cultura Mário Quintana Espaço Força e Luz Estação Cidadania Lomba do Pinheiro Estação Cidadania Restinga Farol Santander Fundação Ecarta Fundação Iberê Camargo Fundação Vera Chaves Barcellos Goethe-Institut Porto Alegre Instituto Ling Museu de Arte Contemporânea do Rio Grande do Sul – MAC-RS Museu de Arte do Rio Grande do Sul – MARGS Museu do Hip Hop Museu do Trabalho Pop Center Usina do Gasômetro Vila Flores
List of artists at the 14th Mercosul Biennial (All artists with asterisks are doing commissioned work for the biennial)
Ad Minoliti (Argentina, 1980)* Alanis Obomsawin (Abenaki/Canada, 1932) Ali Eyal (Iraq, 1994)* Amol K. Patil (India, 1987)* Awilda Sterling-Duprey (Puerto Rico, 1947)* Berenice Olmedo (Mexico, 1987)* biarritzzz (Brazil, 1994)* Bonikta (Brazil, 1996)* Chico Machado (Brazil, 1964)* Christine Sun Kim (United States, 1980)* Claudia Alarcón (Wichi/Argentina, 1989)* Claudio Goulart (Brazil, 1954-2005) Cornelius Andrew (England, 1936-1981) Damián Ayma Zepita (Aymara/Bolivia, 1921-1999) Darks Miranda (Brazil, 1985)* Diedrick Brackens (United States, 1989) Djalma do Alegrete (Brazil, 1931-1994) Eduardo Montelli (Brazil, 1989)* Emilija Škarnulytė (Lithuania, 1987) Erick Peres (Brazil, 1994)* Farah Al Qasimi (United Arab Emirates, 1991) Fatima Rodrigo (Peru, 1987)* Felipe Rezende (Brazil, 1994)* Felipe Veeck (Brazil, 1996)* Firas Shehadeh (Palestine, 1988)* Freddy Mamani (Aymara/Bolivia, 1971) Froiid (Brazil, 1986)* Fyerool Darma (Singapure, 1987)* Heitor dos Prazeres (Brazil, 1898-1966) Gabriel Chaile (Argentina, 1985)* Gretchen Bender (United States, 1951-2004) Iberê Camargo (Brazil, 1914-1994) Ismael Monticelli (Brazil, 1987)* Jacolby Satterwhite (United States, 1986) José Ballivián (Bolivia, 1975)* Julia Isídrez (Paraguay, 1967)* Kira Xonorika (Guarani/Paraguay, 1995)* Laryssa Machada (Brazil, 1993) Letícia Lopes (Brazil, 1988)* Li Yi-Fan (Taiwan, 1989) Li Yong Xiang (China, 1991)* Lorenzo Beust (Brazil, 1997)* Marcus Deusdedit (Brazil, 1997)* Marina Rheingantz (Brazil, 1983) Mauro Fuke (Brazil, 1961)* Maya Weishof (Brazil, 1993)* Minia Biabiany (Guadalupe, 1988)* Nam June Paik (South Korea, 1932-2006) Natasha Tontey (Indonesia, 1989) Nereyda López (Cocama/Tikuna/Peru, 1965) New Red Order (Ojibway e Tlingit/United States, 2016) Nicole L’Huillier (Chile, 1988)* Nikita Gale (United States, 1983) Ogwa (Ishir/Paraguay, 1937-2008) Özgür Kar (Turkey, 1992) Paul Mpagi Sepuya (United States, 1982) Randolpho Lamonier (Brazil, 1988)* Retratistas do Morro/Afonso Pimenta (Brazil, 1954)* Rochelle Costi (Brazil, 1961-2022) Rodrigo Cass (Brazil, 1983)* Samson Young (Hong Kong, 1979) Sandra Vásquez de La Horra (Chile, 1967)* Santiago Yahuarcani (Cocama/Uitoto/Peru, 1960) Sara Modiano (Colombia, 1951-2010) Taiki Sakpisit (Thailand, 1975) Tang Han (China, 1989)* Tirzo Martha (Curaçao, 1965)* Ulises Beisso (Uruguay, 1958-1996) Urmeer (Mexico, 1991)* Valerie Brathwaite (Trinidad & Tobago, 1940)* Venuca Evanán (Peru, 1987)* Vitória Cribb (Brazil, 1996)* William Gutiérrez (Colombia, 1959)* Wiki Pirela (Venezuela, 1992)* Yunchul Kim (South Korea, 1970) Zé Carlos Garcia (Brazil, 1973)*
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