São Paulo Biennial

Fundação Bienal de São Paulo announces list of participants for its 36th edition

With a title derived from the poem “Da calma e do silêncio” by Conceição Evaristo, the 36th Bienal de São Paulo brings together 120 participants at the Bienal Pavilion and five more at Casa do Povo, proposing an urgent reflection on humanity, nature, and listening.

Manauara Clandestina, O beijo, 2024. Structure in galvanized wire mesh with reinforced concrete base, textile, embroidered everyday and consumer objects, and organic hair, 50 x 75 x 69 cm. Courtesy of the artist

mié 11 jun, 2025

The Fundação Bienal de São Paulo announces the list of participants in the 36th Bienal de São Paulo, titled Not All Travellers Walk Roads – Of Humanity as Practice. The exhibition will take place from September 6, 2025 to January 11, 2026 at the Ciccillo Matarazzo Pavilion in São Paulo, with free admission.

Conceptualised by Bonaventure Soh Bejeng Ndikung – alongside co-curators Alya Sebti, Anna Roberta Goetz, Thiago de Paula Souza, co-curator at large Keyna Eleison, and communications and strategy advisor Henriette Gallus – the 36th Bienal is inspired by the poem “Da calma e do silêncio” [Of Calm and Silence] by poet Conceição Evaristo. It is founded on active listening to humanity as a practice of constant displacement, encounter, and negotiation.

Theresah Ankomah, Memories of the present, 2020–2021. Draped dyed and undyed kenaf baskets. Dimensions variable. Courtesy of the artist and Nubuke Foundation, Accra

The participating artists for the 36th Bienal de São Paulo are:

Adama Delphine Fawundu; Adjani Okpu-Egbe; Aislan Pankararu; Akinbode Akinbiyi; Alain Padeau; Alberto Pitta; Aline Baiana; Amina Agueznay; Ana Raylander Mártis dos Anjos; Andrew Roberts; Antonio Társis; Behjat Sadr; Berenice Olmedo; Bertina Lopes; Camille Turner; Carla Gueye; Cevdet Erek; Chaïbia Talal; Christopher Cozier; Cici Wu; Cynthia Hawkins; Edival Ramosa; Emeka Ogboh; Ernest Cole; Ernest Mancoba; Farid Belkahia; Firelei Báez; Forensic Architecture; Forugh Farrokhzad; Frank Bowling; Frankétienne; Gê Viana; Gervane de Paula; Gōzō Yoshimasu; Hajra Waheed; Hamedine Kane; Hamid Zénati; Hao Jingban; Heitor dos Prazeres; Helena Uambembe; Hessie (Carmen Lydia Đurić); Huguette Caland; I Gusti Ayu Kadek Murniasih (Murni); Imran Mir; Isa Genzken; Joar Nango with the Girjegumpi crew; Josèfa Ntjam; Juliana dos Santos; Julianknxx; Kader Attia; Kamala Ibrahim Ishag; Kenzi Shiokava; Korakrit Arunanondchai; Laila Hida; Laure Prouvost; Leiko Ikemura; Leila Alaoui; Leo Asemota; Leonel Vásquez; Lidia Lisbôa; Lynn Hershman Leeson; Madame Zo; Madiha Umar; Malika Agueznay; Manauara Clandestina; Mansour Ciss Kanakassy; Mao Ishikawa; Márcia Falcão; Maria Auxiliadora; María Magdalena Campos-Pons; Marlene Almeida; Maxwell Alexandre; Meriem Bennani; Metta Pracrutti; Michele Ciacciofera; Ming Smith; Minia Biabiany; Moffat Takadiwa; Mohamed Melehi; Moisés Patrício; Myriam Omar Awadi; Myrlande Constant; Nádia Taquary; Nari Ward; Nguyễn Trinh Thi; Noor Abed; Nzante Spee; Olivier Marboeuf; Olu Oguibe; Oscar Murillo; Otobong Nkanga; Pélagie Gbaguidi; Pol Taburet; Precious Okoyomon; Raukura Turei; Raven Chacon com Iggor Cavalera & Laima Leyton; Rebeca Carapiá; Richianny Ratovo; Ruth Ige; Sadikou Oukpedjo; Sallisa Rosa; Sara Sejin Chang (Sara van der Heide); Sérgio Soarez; Sertão Negro; Sharon Hayes; Shuvinai Ashoona; Simnikiwe Buhlungu; Song Dong; Suchitra Mattai; Tanka Fonta; Thania Petersen; Theo Eshetu; Théodore Diouf; Theresah Ankomah; Trương Công Tùng; Tuần Andrew Nguyễn; Vilanismo; Werewere Liking; Wolfgang Tillmans; Zózimo Bulbul.

Sertão Negro, Guided visits. Courtesy of Sertão Negro Ateliê e Escola de Artes. Photo: Jhony Aguiar

Another five participants will take part in the 36th Bienal in the Tributaries program at Casa do Povo, curated by Benjamin Seroussi and Daniel Blanga Gubbay: Alexandre Paulikevitch; Boxe Autônomo; Dorothée Munyaneza; Marcelo Evelin; MEXA.

The conceptual team was inspired by bird migration patterns as a methodological guide for selecting participants. These patterns include the red-tailed hawk’s journey between the Americas, the ruff’s flight between Central Asia and North Africa, and the Arctic tern’s long polar routes. These birds’ precise cross-continental and cross-climate zone trajectories serve as a metaphor for curatorship itself: like birds, we carry memories, experiences, and languages across borders. We migrate not only out of necessity but also as a form of continuous transformation.

“This methodological process helped us avoid classifications based on nation-states and borders. By studying birds’ navigation skills, their impulse to migrate across land and water, their survival instincts, their expanded sense of space and time, and their urgency and agency, we were able to engage with artistic practices in different geographic regions while reflecting on the meaning of bringing humanity together in the context of the 36th Bienal de São Paulo,” says Bonaventure Soh Bejeng Ndikung.

Julianknxx, Still of On Freedom of Movement (wi de muv), 2022. Courtesy of the artist and Studioknxx. © Studioknxx

Participants in this Bienal hail from regions traversed by rivers, seas, deserts, and mountains. These landscapes, with their accompanying waters and shores, are imbued with stories of migration, resistance, and coexistence. Rivers such as the Wouri, the Thames, the Amazon, the Hudson, the Limpopo, the Essequibo, and Matanzas Bay guide the symbolic mapping of the artists’ origins and routes. This process values practices from multiple territories and their shared waters.

“Through these paths, we brought together artists from all corners of the world for the 36th Bienal de São Paulo. Water is fundamental to human existence and the basis of life. The Bienal’s Invocation themes are organized around these multiple bodies of water – oceans, seas, lakes, rivers, and streams – and their confluences, such as estuaries. These serve as metaphors for encounters between cultures, human beings, and animate and inanimate beings, as well as what we can learn from one another. Despite humanity’s efforts to control the flow of water and the migration of birds, all waters are connected, and birds still migrate without passports or visas. Humans could be better if they learned from other beings,” Ndikung concludes.

The list includes participants exploring languages such as performance, video, painting, sound, installation, sculpture, writing, as well as collective and musical experiments, among others. Many participants also propose investigations based on community practices, ecologies, oral traditions, and non-Western cosmologies.

The 36th Bienal de São Paulo began with the Invocations program, which took place across different continents between November 2024 and April 2025, and engaged in dialogue with situated knowledges and practices in Marrakech, Guadeloupe, Zanzibar, and Tokyo.

36th Bienal de São Paulo – Nem todo viandante anda estradas – Da humanidade como prática
[Not All Travellers Walk Roads – Of Humanity as Practice]
Chief curator: Bonaventure Soh Bejeng Ndikung / Co-curators: Alya Sebti, Anna Roberta Goetz, Thiago de Paula Souza / Co-curator at large: Keyna Eleison / Communication and strategy consultant: Henriette Gallus