What is the relationship between curatorship and its institutionality? Between the institution and the public? Between the audience and their specific context? Can we talk about a curatorial policy in contexts located and in contrast to the reality of art in Bolivia?
The cycle starting next July 21 will include Manuel Borja-Villel (Madrid); August 4 Keyna Eleison and Pablo Lafuente (Rio de Janeiro); September 1 Elvira Dyangani Ose (London); October 6 Rosina Cazali (Guatemala City); and November 3 Miguel A. Lopez (Lima).
Click here for the full program (only in Spanish).